A Remarkable Journey from Kashmir to Literary Fame: Deepak Kumar Budki : Copied from Giltoor

 

A Remarkable Journey from Kashmir to Literary Fame: Deepak Kumar Budki

(Copied from Giltoor FB page)

Deepak Kumar Budki, also known by his pen name "Deepak Budki," has made lasting contributions across multiple fields, from civil service to Urdu literature and the arts. His life is a story of rich, varied experiences rooted in a deep commitment to service and creativity.

Born on February 15, 1950, in Srinagar, Kashmir, Deepak Kumar Budki’s journey has spanned the serene landscapes of his birthplace to various parts of India and beyond, marking his footprints in the fields of administration, literature, and art.

Budki’s educational background reflects his lifelong pursuit of knowledge:

M.Sc in Botany

B.Ed. from Kashmir University

Adib-e-Mahir from Jamia Urdu Aligarh

Graduate of the National Defence College, New Delhi

Associate of the Insurance Institute of India, Mumbai

In 1992, Budki authored a significant thesis titled Genesis of Kashmir Problem and Article 370 at the National Defence College, New Delhi. This work provided valuable insights into complex socio-political issues, contributing to understanding the Kashmir region.

With a career spanning over four decades, Budki began his professional journey with the J&K Handicrafts Corporation, where he served as a Manager at the Kashmir Govt Arts Emporium. In 1976, he joined the Indian Postal Services, a step that shaped his lifelong commitment to public service. During his career, he also served in the Army Postal Service on deputation, ultimately reaching the rank of Lieutenant Colonel. His career culminated in his retirement in February 2010.

Budki’s leadership was most visible in Jammu & Kashmir, where he served in challenging roles such as Senior Superintendent of Post, Director, Postmaster General, and Chief Postmaster General. In 1990, he secured pioneering rehabilitation orders for migrant staff, setting an example for other government sectors. His contributions also include expanding Postal Life Insurance to rural India, significantly enhancing insurance access and coverage.

In addition to his public service, Budki has made a notable impact in Urdu literature. He is known for his work as an author of short stories, novels, critical essays, and autobiographies, bringing him recognition across India, Pakistan, and Europe. His major works include:

Short Story Collections: Adhoore Chehre, Chinar ke Panje, Zebra Crossing par Khada Aadmi, Ruh Ka Karb, and Muthi Bhar Rait

Novels: Apna Apna Such, Azadi

Essays and Critiques: Asri Tehreerein, Asri Shaoor, and Asri Takhleequat

Research-Based Books: Urdu Ke Ghair Muslim Afsana Nigar and Krishan Chander-Meri Nazar Mein

Autobiography: Lauhe Hayat

Budki’s works, translated into multiple languages, have reached a wide audience. His writings explore themes of identity, culture, and resilience, resonating with readers from diverse backgrounds.

Throughout his journey, Budki has been recognized with numerous awards, including the Postal Life Insurance Gold Medal and the Rashtriya Gaurav Samman. He has been honoured by the Andhra Urdu Academy, the Kalidas Samman, and the Dr Manzar Kazmi National Award for fiction. His literary contributions have been the subject of research and analysis, with studies exploring his impact on Urdu literature.

Budki’s creativity extends beyond writing; he is an avid artist, engaged in drawing, painting, and cartooning. His love for exploration has taken him to cities like Bangkok, Dubai, Rome, Cairo, and Paris, enriching his life experiences and perspectives.

Deepak Kumar Budki’s life epitomizes the blend of service and creative expression. From Kashmir’s landscapes to the complexities of Indian postal services, and from Urdu literature to the visual arts, his journey showcases a life devoted to learning, innovation, and connecting with others. His story is one of inspiration, dedication, and a relentless pursuit of knowledge and beauty.

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Copied from the FB page of GILTOOR which promotes art, culture, and the rich heritage of forgotten traditions among the younger generation of Kashmir. Giltoor encourages young people to engage with and appreciate the artistic expressions and cultural narratives of the past.

Deepak Budki Ke Afsane "Qarze Ki Duniya" Ka Tajaziyati Mutala'a: Writer: Parvez Manoos

 دیپک بُدکی کے افسانے "قرضے کی دنیا" کا تجزیاتی مطالعہ

تجزیہ نگار: پرویز مانوس 

دیپک بُدکی کا تعلق وادئ کشمیر سے ہے اور وہ افسانوی ادب کی کافی خدمت کر چُکے ہیں _ محکمہ انڈیا پوسٹ سے پوسٹ ماسٹر جنرل کے عہدے سے سُبکدوش ہونے کے بعد آج کل غازی آباد میں رہائش پزیر ہیں اور وہاں بھی اردو ادب کی مُسلسل بھر پور خدمت کرنے میں سرگرم عمل ہیں _ اُن کے کئی افسانوی مجموعے جن میں "چنار کے پنجے"ادھورے چہرے، مٹھی بھر ریت، یہ کیسا رشتہ، روح کا کرب، زیبرا کرسنگ پر کھڑا آدمی، اس کے علاوہ دو عدد ناول "آزادی اور اپنا اپنا سچ شائع ہو کر مقبولیت حاصل کرچکے ہیں، آج ہم اُن کے ایک افسانے "قرضے کی دُنیا" کا تجزیاتی مطالعہ پیش کریں گے_ دیپک بُدکی کا افسانہ "قرضے کی دنیا" جدید اور روایتی معاشرتی تصورات کے درمیان گہرے تضاد کو اجاگر کرتا ہے۔ یہ کہانی قرض کے تصور اور اس کے اثرات کے گرد گھومتی ہے، جس میں بھوشن لال اور اس کے خاندان کی کہانی کے ذریعے پرانے اور نئے زمانے کے قرضے کی روایات کو پیش کیا گیا ہے_ مرکزی خیال:- افسانہ "قرضے کی دُنیا" کا مرکزی خیال قرض کے سماجی، نفسیاتی، اور معاشی اثرات کو اجاگر کرنا ہے۔ افسانہ اس بات پر روشنی ڈالتا ہے کہ کس طرح قرض نہ صرف فرد کی مالی حالت بلکہ اس کی ذہنی سکون، خاندانی تعلقات، اور معاشرتی زندگی کو بھی متاثر کرتا ہے۔ اس کا مرکزی پیغام یہ ہے کہ قرض کی دنیا ایک ایسا جال ہے جس میں داخل ہونے کے بعد ابھیمنیو کی طرح نکلنا مشکل ہو جاتا ہے، اور یہ جال نہ صرف معاشی طور پر بلکہ اخلاقی اور نفسیاتی سطح پر بھی انسان کو جکڑ لیتا ہے_

مجموعی طور پر، "قرضے کی دنیا" کا مرکزی خیال یہ ہے کہ قرض ایک ایسی دنیا ہے جہاں انسان آزادی اور خودمختاری کھو بیٹھتا ہے، اور اس جال میں پھنس کر وہ نہ صرف مالی طور پر بلکہ اخلاقی اور نفسیاتی طور پر بھی متاثر ہوتا ہے۔ قرضے کا تاریخی اور روایتی تصور کہانی کا آغاز قرضے کے روایتی تصور سے ہوتا ہے جب قرض کو ایک بوجھ سمجھا جاتا تھا جس سے بچنا ہی بہتر تھا۔ دیہاتی معاشروں میں قرض لینے سے کسان اپنی زمینیں کھو دیتے تھے اور غلامی کی زندگی گزارنے پر مجبور ہو جاتے تھے۔ یہ بات بھوشن لال کے والد کے کردار کے ذریعے سامنے آتی ہے، جو ایک تاجر ہونے کے باوجود قرض لے کر اپنی زندگی برباد کر بیٹھتا ہے۔ یہ حصہ قرض کی اخلاقی پیچیدگیوں اور اس کے معاشرتی اثرات کو نمایاں کرتا ہے۔ قرض اور جدید دور وقت کے ساتھ قرض کا تصور بدل جاتا ہے، اور اب قرض زندگی کا ایک لازمی جزو بن چکا ہے۔ افسانے میں یہ تبدیلی بھوشن لال کے بیٹوں کی زندگی میں نظر آتی ہے۔ وہ مختلف مقاصد کے لیے بڑے قرضے لیتے ہیں: شیام سندر اپنی اعلیٰ تعلیم کے لیے امریکہ جاتا ہے اور سریندر اپنی کمپنی کھولنے کے لیے بھاری سرمایہ حاصل کرتا ہے۔ یہ حصہ موجودہ زمانے میں قرضے کی نئی حقیقت کو بیان کرتا ہے، جہاں تعلیم، تجارت، اور زندگی کے دوسرے شعبوں میں ترقی کے لیے قرض لینا معمول بن چکا ہے۔ نسلی فرق اور مڈل کلاس کی جدوجہد افسانے میں پرانی اور نئی نسل کے درمیان ایک واضح فرق نظر آتا ہے۔ بھوشن لال اپنے والد کی مثال دیکھ کر قرض سے بچنے کی کوشش کرتا ہے، لیکن اس کے بیٹے نئی دنیا کے تقاضوں کے تحت قرض لے کر کامیاب ہوتے ہیں۔ یہاں مڈل کلاس کی جدوجہد اور اس کی بدلتی ہوئی ضروریات کو اجاگر کیا گیا ہے، جس میں ترقی کے حصول کے لیے قرض کا استعمال ایک اہم ضرورت بن چکا ہے۔ قرضے کے نفسیاتی اثرات کہانی میں قرض کے نفسیاتی اثرات کو بھی بیان کیا گیا ہے، خاص طور پر بھوشن لال کے کردار میں۔ وہ اپنے والد کے قرض کی مشکلات کو دیکھ کر خوفزدہ ہے، اور جب اس کے بیٹے کروڑوں کا قرض لیتے ہیں، تو وہ حیرت اور پریشانی میں مبتلا ہو جاتا ہے۔ یہ اس بات کا عکاس ہے کہ قرض نہ صرف مالیاتی بوجھ ہوتا ہے بلکہ نفسیاتی دباؤ بھی پیدا کرتا ہے، جو نسل در نسل منتقل ہو سکتا ہے۔  معاشرتی اور معاشی تضاد افسانے کا ایک اہم پہلو معاشرتی اور معاشی تضاد ہے۔ پرانا نظام قرض کو ایک لعنت سمجھتا تھا، جبکہ جدید دور میں قرض کو ترقی کا ذریعہ سمجھا جاتا ہے۔ بھوشن لال کے بیٹوں کی کامیابی اور بھوشن لال کے والد کی ناکامی کے ذریعے اس تضاد کو عمدگی سے پیش کیا گیا ہے۔ کرداروں کے حرکات و سکنات: افسانہ "قرضے کی دنیا" میں کرداروں کے حرکات و سکنات ان کی سوچ، معاشرتی مقام، اور حالات کے مطابق ہیں۔ یہ کردار اپنی اپنی زندگیوں میں قرض کے اثرات کے گرد گھومتے ہیں، اور ان کے رویے، عمل، اور فیصلے ان کے تجربات کی عکاسی کرتے ہیں۔ بھوشن لال بھوشن لال کہانی کا مرکزی کردار ہے، جس کے حرکات و سکنات ایک مڈل کلاس شخص کی مالی جدوجہد کو ظاہر کرتے ہیں۔ قرض سے نفرت: بھوشن لال اپنے والد کی طرح قرض کے نتائج سے ڈر کر زندگی گزارتا ہے۔ اس کے والد کی جانب سے قرض لینے اور اس کے باعث معاشی مشکلات کا سامنا کرنے کے بعد بھوشن لال نے یہ قسم کھا رکھی ہے کہ وہ کبھی قرض نہیں لے گا۔ اس کا یہ فیصلہ ماضی کے تجربات پر مبنی ہے۔ بیٹوں کی ترقی پر بے چینی: بھوشن لال اپنے بیٹوں کے فیصلوں پر بے چینی محسوس کرتا ہے، خاص طور پر جب وہ تعلیم اور کاروبار کے لیے بھاری قرضے لیتے ہیں۔ وہ ماضی کے تجربات کی روشنی میں قرض کو خطرناک سمجھتا ہے، جبکہ اس کے بیٹے نئے دور کے تقاضوں کو اپناتے ہیں۔ عدم سمجھداری: بھوشن لال جدید دور کے قرضے کے نظام کو نہیں سمجھ پاتا۔ جب اس کے بیٹے کروڑوں کا قرض لیتے ہیں، تو وہ حیران اور پریشان ہو جاتا ہے۔ یہ اس کی مڈل کلاس پس منظر اور پرانے خیالات کی عکاسی کرتا ہے۔ بھوشن لال کے والد بھوشن لال کے والد کہانی کے ماضی میں موجود ایک اہم کردار ہیں، جن کے اعمال کہانی کا اہم موڑ فراہم کرتے ہیں۔ غلط فیصلہ: بھوشن لال کے والد نے اپنی تجارت کو بڑھانے کے لیے قرض لیا، لیکن اسے غلط جگہ خرچ کیا (مکان کی تجدید پر)۔ ان کا یہ فیصلہ ظاہر کرتا ہے کہ وہ قرض کو سمجھنے میں ناکام رہے اور ان کے اس عمل نے ان کی زندگی کو تباہ کر دیا۔ پریشانی اور جدوجہد: والد کی قرض چکانے کی جدوجہد ان کی پریشانی اور زندگی بھر کی ناکامی کا مظہر ہے۔ ان کی حرکات میں ایک بے بسی اور ناکامی کا عنصر ہے، جو کہانی میں قرض کے منفی اثرات کو اجاگر کرتا ہے۔ شیام سندر (بڑا بیٹا) شیام سندر بھوشن لال کا بڑا بیٹا ہے، اور اس کے عمل جدید تعلیم اور ترقی کے لیے قرض کے استعمال کی عکاسی کرتے ہیں۔ تعلیمی قرض: شیام سندر اعلیٰ تعلیم کے لیے امریکہ جانے کا ارادہ کرتا ہے، اور اس کے لیے بیس لاکھ روپے کا قرض لیتا ہے۔ اس کا یہ عمل ظاہر کرتا ہے کہ وہ تعلیم کو ترقی کا ذریعہ سمجھتا ہے اور قرض کو اس کے حصول کا ایک وسیلہ۔ عملیت پسندی: شیام سندر قرض کو ایک مالیاتی ضرورت کے طور پر قبول کرتا ہے، جو اس کے والد کے خیالات کے برخلاف ہے۔ وہ قرض لیتا ہے اور اسے چکانے کے لیے ملازمت بھی کرتا ہے، جو اس کی عملی اور جدید سوچ کو ظاہر کرتا ہے۔ (منجری (بیٹی) منجری بھوشن لال کی بیٹی ہے، اور اس کی حرکات و سکنات سماجی ترقی اور آزاد خیالی کی نمائندگی کرتی ہیں۔ شادی اور فلیٹ خریدنا: منجری اور اس کے شوہر نے دہلی میں فلیٹ خریدنے کے لیے ایک کروڑ کا قرض لیا۔ ان کا یہ عمل ظاہر کرتا ہے کہ وہ اپنے والد کے برعکس قرض کو ترقی کا حصہ سمجھتے ہیں اور ایک بہتر زندگی کے لیے اس کا استعمال ضروری سمجھتے ہیں۔ سریندر (چھوٹا بیٹا) سریندر کا کردار ایک نوجوان اور باصلاحیت انسان کا ہے، جو جدید دور کے تقاضوں کو سمجھتا ہے اور قرض کو بزنس میں کامیابی کے لیے اہم سمجھتا ہے۔ کاروباری قرض: سریندر نے آئی آئی ٹی سے انجینئرنگ کرنے کے بعد اپنی سافٹ ویئر کمپنی شروع کرنے کا ارادہ کیا اور اس کے لیے پچاس لاکھ کا سرمایہ اور پھر ایک کروڑ کا قرض لیا۔ اس کا یہ عمل جدید کاروباری دنیا میں قرض کے کردار کو ظاہر کرتا ہے، جہاں سرمایہ کاری اور قرض لینا ترقی کا لازمی حصہ ہے۔ پراعتماد اور خود مختار: سریندر اپنے والد کے خیالات کو نظر انداز کرتے ہوئے اپنا راستہ چنتا ہے۔ اس کی حرکات میں خود اعتمادی اور آزاد خیالی نمایاں ہی_ مکالموں کی ادائیگی:-

افسانہ "قرضے کی دنیا" میں مکالموں کی ادائیگی کرداروں کے جذبات اور ان کے معاشرتی پس منظر کو گہرائی سے ظاہر کرتی ہے۔ ہر کردار کے مکالمے ان کے تجربات، خیالات، اور وقت کے ساتھ ان کے رویے کی نمائندگی کرتے ہیں۔ بھوشن لال کے مکالمے بھوشن لال کے مکالموں میں قرض کے بارے میں اس کی نفرت اور خوف صاف ظاہر ہوتا ہے۔ وہ اپنے والد کے تجربے کی وجہ سے قرض سے نفرت کرتا ہے اور یہ بات مکالموں میں نمایاں ہوتی ہے۔ جیسے: "میں کبھی قرض نہیں لوں گا، یہ تو تباہی کا راستہ ہے!" اس جملے میں اس کے ماضی کے تجربات اور مستقبل کے خوف کی جھلک ملتی ہے۔ شیام سندر کے مکالمے شیام سندر، بھوشن لال کا بیٹا، قرض کے بارے میں ایک جدید اور عملی سوچ رکھتا ہے۔ اس کے مکالمے سے اس کی عملی ذہنیت اور نئے زمانے کے تقاضے سمجھ میں آتے ہیں: "تعلیم کے بغیر ترقی ممکن نہیں ہے، اور تعلیم کے لیے قرض لینا کوئی برائی نہیں!" یہ مکالمہ ظاہر کرتا ہے کہ شیام سندر کے نزدیک قرض ایک وسیلہ ہے، نہ کہ مصیبت۔ سریندر کے مکالمے سریندر کا مکالمہ بھی جدیدیت اور خود اعتمادی کی عکاسی کرتا ہے۔ اس کا اندازہ ان جملوں سے ہوتا ہے: "بزنس کے لیے سرمایہ چاہیے، اور سرمایہ بغیر قرض کے کہاں سے آئے گا؟" یہ مکالمہ اس کی خود اعتمادی اور کاروباری ذہنیت کو ظاہر کرتا ہے۔ منجری کے مکالمے منجری کے مکالمے ایک آزاد خیالی اور اپنی زندگی کی خود مختاری کو ظاہر کرتے ہیں۔ جیسے: "ہم نے فلیٹ خریدنے کا فیصلہ کیا ہے، قرض سے کیا ڈرنا؟ یہ تو ہماری ضرورت ہے!" یہ جملہ ظاہر کرتا ہے کہ وہ قرض کو زندگی کے فیصلوں میں ایک ضروری عنصر سمجھتی ہے۔ مجموعی تجزیہ مکالموں کی ادائیگی میں کرداروں کی انفرادی سوچ اور ان کے ماضی و حال کے تجربات کا عکس دکھائی دیتا ہے۔ بھوشن لال کے مکالمے روایت پسندی اور ماضی کے خوف پر مبنی ہیں، جبکہ نئی نسل کے کرداروں کے مکالمے جدیدیت، عملی سوچ اور مستقبل کی طرف اعتماد کو ظاہر کرتے ہیں۔ افسانہ "قرضے کی دنیا" میں ماضی اور حال کا موازنہ مرکزی موضوع کے طور پر سامنے آتا ہے، جو کرداروں کی زندگیوں اور ان کے خیالات میں واضح تضاد کو اجاگر کرتا ہے۔ بھوشن لال کے کردار کے ذریعے ماضی کی تلخ یادوں اور روایتی سوچ کو پیش کیا گیا ہے، جبکہ اس کے بیٹوں اور بیٹی کی زندگیوں میں حال کی جدیدیت اور عملی سوچ کو دکھایا گیا ہے۔ یہ موازنہ کئی پہلوؤں میں نمایاں ہے: قرض کا تصور: ماضی میں لعنت، حال میں ضرورت ماضی کا نظریہ: بھوشن لال کے ماضی میں قرض ایک لعنت کے طور پر دیکھا جاتا تھا۔ اس نے اپنی زندگی کے تجربات سے سیکھا تھا کہ قرض انسان کو تباہ کر دیتا ہے۔ حال کا نظریہ: دوسری طرف، شیام سندر، منجری، اور سریندر کی نئی نسل قرض کو ایک ضرورت اور ترقی کا ذریعہ سمجھتی ہے۔ آج کی دنیا میں قرض کو کاروبار، تعلیم، اور ذاتی ترقی کے لیے لازمی سمجھا جاتا ہے۔ ان کے لیے قرض ایک موقع فراہم کرتا ہے جس کے ذریعے وہ اپنے خواب پورے کر سکتے ہیں۔ یہ موازنہ بتاتا ہے کہ ماضی میں قرض کا تصور منفی تھا جبکہ آج کے دور میں اسے ایک مثبت ذریعہ سمجھا جاتا ہے۔ روایات اور جدیدیت: قدیم روایات بمقابلہ جدید خیالات ماضی میں روایات: بھوشن لال ماضی کی قدیم روایات اور اصولوں کا پیروکار ہے۔ وہ زندگی میں سادگی، محنت، اور قرض سے بچنے کو اہمیت دیتا ہے۔ اس کی زندگی کا تجربہ اسے سکھاتا ہے کہ اپنی چادر کے مطابق پاؤں پھیلانے چاہئیں۔ وہ روایتی طور پر پیسے کا استعمال محدود رکھنے اور قرض سے بچنے کا حامی ہے۔ حال میں جدیدیت: حال میں، منجری اور شیام سندر جدید تعلیم اور ترقی کی سوچ رکھتے ہیں۔ وہ سمجھتے ہیں کہ کامیابی کے لیے قرض لینا ضروری ہے اور نئی سوچ کے مطابق زندگی کو بہتر بنانے کے لیے نئے وسائل استعمال کرنا لازمی ہے۔ ان کی زندگی میں فلیٹ خریدنا یا کاروبار کرنا اسی جدیدیت کا حصہ ہے، جو ماضی کے برعکس ہے۔ خاندانی سوچ: بزرگوں کی فکر بمقابلہ نئی نسل کی سوچ ماضی میں خاندانی سوچ: ماضی میں خاندانوں میں بزرگوں کی بات کو زیادہ اہمیت دی جاتی تھی اور ان کے تجربات سے سبق لیا جاتا تھا۔ بھوشن لال اپنی زندگی کے تجربات کو اپنی اولاد کے ساتھ بانٹنے کی کوشش کرتا ہے اور چاہتا ہے کہ وہ بھی انہی اصولوں پر عمل کریں جو اس نے اپنی زندگی میں اپنائے۔ حال میں خاندانی سوچ: حال کی نسل اپنے فیصلوں میں خود مختار ہے اور بزرگوں کی روایتی سوچ سے آگے بڑھنے کی کوشش کرتی ہے۔ شیام سندر اور منجری اپنے والد کی فکر اور تجربات کو نظر انداز کرتے ہوئے جدید زندگی کے تقاضوں کے مطابق فیصلے کرتے ہیں۔ وہ والد کی سوچ کو پرانی سمجھتے ہیں اور نئی دنیا کے حساب سے آگے بڑھنا چاہتے ہیں۔ معاشرتی تبدیلی: پرانی اور نئی اقدار ماضی کی اقدار: بھوشن لال کے زمانے میں لوگ سادگی اور محدود وسائل میں جینے کو اہمیت دیتے تھے۔ قرض لینے کو نہ صرف مالیاتی خطرہ سمجھا جاتا تھا بلکہ اسے سماجی طور پر بھی ناپسند کیا جاتا تھا۔ لوگ اپنی حیثیت میں رہنے کو فوقیت دیتے تھے۔ حال کی اقدار: حال کی نسل معاشرتی طور پر زیادہ آزاد ہے اور قرض لینے کو ایک معمول کا حصہ سمجھتی ہے۔ معاشرتی ترقی اور مالی آزادی کو اہمیت دی جاتی ہے اور لوگ زندگی کے بڑے فیصلوں میں قرض کو ایک مددگار ذریعہ سمجھتے ہیں۔ مجموعی تاثر "قرضے کی دنیا" میں ماضی اور حال کا موازنہ افسانے کا اہم ترین عنصر ہے جو کرداروں کے رویوں، سوچ، اور فیصلوں میں واضح طور پر دکھائی دیتا ہے۔ بھوشن لال کے ذریعے ماضی کی زندگی کی مشکلات اور قرض کے منفی اثرات کو دکھایا گیا ہے، جبکہ نئی نسل کے کردار جدید دنیا میں قرض کو ایک ذریعہ ترقی کے طور پر دیکھتے ہیں۔ افسانہ اس بات کو نمایاں کرتا ہے کہ کیسے وقت کے ساتھ خیالات اور اقدار بدل جاتی ہیں اور نئی نسل پرانے اصولوں کو چھوڑ کر اپنی راہیں خود بنانے کی کوشش کرتی ہے۔ افسانہ "قرضے کی دنیا" ایک دلچسپ اور گہرے معاشرتی مسئلے کی طرف اشارہ کرتا ہے: قرض اور اس کے انسانی زندگی پر اثرات۔ دیپک بُدکی نے اس افسانے کے ذریعے نہ صرف معاشرتی مسائل کو بیان کیا ہے بلکہ قرضے کے سماجی اور نفسیاتی پہلوؤں کو بھی اجاگر کیا ہے_،،

********

آزاد بستی بٹی پورہ ویسٹ سرینگر رابطہ:9419463487

Deepak Budki: The Storyteller of Pain And Perseverance (Author: Dr Basharat Khan)

Deepak Budki: The Storyteller of 

Pain And Perseverance 

                                                         --Dr Basharat Khan

"Deepak Budki's  stories  serve  as  a comprehensive  reflection

 of fifty years,  capturing  the  diverse  changes  in life  and  the

 social, cultural, and environmental events that have  transpired

 during this time. His work adeptly portrays these transformations

 through various creative means, making this ability a prominent

 aspect of his storytelling."

                                                                  (Dr Reyaz Tawheedi) 

Deepak Budki, born on February 15, 1950, in Srinagar, Kashmir, stands as a distinguished figure in contemporary Urdu literature and a notable career in the Indian Postal Service. His life and work reflect an impressive blend of literary artistry, public service, and academic scholarship, showcasing his deep commitment to both literature and societal development.

Deepak Budki's academic journey is marked by a rigorous pursuit of knowledge. He earned an M.Sc. in Botany and a B.Ed. from Kashmir University, an Adib-e-Mahir from Jamia Urdu Aligarh, and is a graduate of the National Defence College, New Delhi. His scholarly dissertation on "Genesis of Kashmir Problem and Article 370," submitted to the National Defence College in 1992, underscores his engagement with critical socio-political issues.

His professional career, spanning over four decades, began with the J&K Handicrafts (S&E) Corporation, where he managed the Kashmir Government Arts Emporium and later served as a Statistical & Review Officer. His tenure with the Indian Postal Service commenced in 1976, including a notable nine-year stint with the Army Postal Service as Lt. Colonel. Deepak Budki retired on February 28, 2010, as Member (Planning) of the Postal Services Board, New Delhi. During his tenure as Director PLI his greatest contribution was to extend Postal Life Insurance to rural areas in India۔ His role in J&K was characterized by resilience, particularly during periods of intense conflict, where he managed the rehabilitation of migrant staff, pension arrangements, and account transfers amidst challenging conditions besides maintaining the Postal Services during the turbulent times۔

His literary career is both prolific and diverse. His contributions encompass over 160 short stories and 10 research-based books published in India, Pakistan, and Europe. Notable collections of his short stories include:

Adhoore Chehre (1999, 2005, 2014; Hindi edition 2005), Chinar ke Panje (2005, 2014; Hindi edition 2010), Zebra Crossing Par Khada Aadmi (2007, 2018), Reza Reza Hayat (2010), Ruh Ka Karb (2015), Muthi Bhar Rait (2015), Ab Main Wahan Nahi Rehta (2017), Jadon Ki Talash (2019), Yeh Kaisa Rishta (2022), Patton Par Likhi Tehreerein (2023).

His novels, Apna Apna Such (2022) and Azadi (2022), and his critical essays and research-based books, such as Urdu Ke Ghair Muslim Afsana Nigar (2017, 2020), a research-based book in which the lives and literary contributions of non-Muslim fiction writers are beautifully and thoroughly highlighted, Krishan Chander-Meri Nazar Mein (2022), further enrich Urdu literature.

The English translation of the story 'Zebra Crossing Par Khada Aadmi' has been featured in the anthology 'The Pigeons of the Domes', curated by Rakshanda Jalil. This story, along with others, has been translated into various languages. For instance, 'Ghonsla' was translated into Kashmiri and published in the January-March 2012 issue of Wakh, while its English version, 'The Nest', was brought out by Shahul Taph in New Delhi in 2018. Moreover, 'Mukhbir' (The Informer) has been translated and published in Kashmir Central Weekly in Jammu, as well as on online platforms like KNN Online, Shehjar Online, and KAW Online. The Telugu translation of 'Zebra Crossing Par Khada Aadmi,' titled 'Zebra Crossing Dagara O Kamani', was released on the Emana Web Zone on January 1, 2013, and the English translation appeared in Journalism Today in Cuttack, Odisha, from October to December 2013.

His short stories have garnered exceptional acclaim from eminent literary figures like Shamsur Rahman Farooqi, renowned for his critical acumen, alongside Waris Alvi, Sultana Meher, and Anwar Sadeed, have all offered glowing reviews. Their praise underscores the profound narrative depth and innovative approach of his work, highlighting its significant contribution to modern literature۔

Sultana Mehar a well-known writer, poet and journalist, comments that "while the literary world was once dominated by symbolic fiction; sometimes sacrificing narrative clarity, Deepak Budki offers a refreshing change. His stories are firmly rooted in the authentic experiences of his own society, rather than relying on external themes. In works such as Chinar ke Panje and Adhoore Chehre, Budki skillfully blends subtlety with stark realities, crafting engaging narratives that deeply resonate with readers through their nuanced exploration of relationships and social issues." (Translated from Urdu)

Noor Shah, a veteran fiction writer and literary luminary, commends Deepak Budki as a distinguished and internationally acclaimed short story writer. Budki’s work captures India's rich social and cultural landscape, further enriched by his extensive government experience. His collections like Adhoore Chehre, Chinar ke Panje, and Zebra Crossing Par Khada Aadmi demonstrate his expert use of symbolism and a nuanced exploration of human experiences. Budki’s innovative narrative style and profound insights firmly establish him as a prominent figure in contemporary literature.

Renowned Urdu fiction writer and critic Dr Reyaz Tawheedi Kashmiri offers high praise for Deepak Budki's storytelling, highlighting its profound ability to capture and reflect the socio-cultural and political changes of the past fifty years. Dr Reyaz Tawheedi particularly commends Budki’s exploration of the migration and experiences of Kashmiri Pandits.

"In works such as Zebra Crossing Par Khada Aadmi, Budki’s portrayal stands out for its emotional depth and authenticity. He presents the trials of migration with remarkable realism, steering clear of embellishment. His adept handling of intricate themes, coupled with his sophisticated and nuanced narrative techniques, reveals a masterful approach to storytelling. Budki’s work is marked by a genuine engagement with his subjects, creating a vivid and compelling portrayal of human experience and societal evolution."

His work has been translated into multiple languages, including English, Hindi, Kashmiri, Pahari (Gojri), Marathi, Telugu, and Bengali. His stories have appeared in various anthologies, showcasing their broad appeal and impact.

Beyond his notable literary achievements, Deepak Budki has made a considerable impact as a cartoonist, contributing to newspapers such as Jahan-e-Nav, Navjeewan, Hamara Kashmir, and Uqab. His editorial role as Joint Editor at Uqab Weekly and his participation in debates and quiz programs on All India Radio and Doordarshan further showcase his diverse talents.

Budki has been actively involved in academic discourse, presenting at seminars and conferences including the three-day event on "Baresaghir mein Urdu Zabaan wa Adab" at Kashmir University, the two-day seminar on the "Secular Character of Urdu Language" at Jammu University, and the Tawi Kinare-The Jammu Lit Fest.

His contributions have been recognized through several prestigious awards such as the Postal Life Insurance Gold Medal in 1979, the Rashtriya Gaurav Samman, and the 5th Dr Manzar Kazmi National Award for Fiction in 2019. He has also received honours from the Andhra Urdu Academy and Sadbhavna Manch, Sironj.

Budki’s work has been featured in various special supplements and scholarly journals, and his life and contributions have been the subject of academic dissertations and research, highlighting his significant role in Urdu literature.

In addition to his professional and literary pursuits, Budki is an avid artist with interests in drawing, painting, cartooning, and gardening. His travels to international destinations such as Bangkok, Dubai, Rome, Cairo, and Paris have broadened his cultural perspectives.

Deepak Kumar Budki’s multifaceted career exemplifies a deep commitment to both public service and the arts. His extensive contributions in administrative roles, literary fields, and academic research underscore his prominence in Urdu literature and the Indian Postal Service, marking him as a distinguished figure whose legacy continues to inspire and influence.

*****

(Dr Basharat Khan is a writer, columnist, critic and author of the book "Literary Beats". He can be reached at chogalwriter76@gmail.com/Devnalwhispers.in  Mob:7006616946)

My Role in introducing Rural Postal Life Insurance in India

 My Role in introducing Rural Postal Life Insurance in India

Great and thought-provoking cartoon. I experienced this situation when I was Director Postal Life Insurance at Postal Directorate, New Delhi in 1993-95. I read in a magazine, Business India, about the Malhotra Committee of Reforms in the Insurance Sector. Contacted them and apprised them that the Department of Posts is the second largest player in the insurance field. However, it has been restricted in its activities within the government and PSU sector. They asked me to prepare a paper on it which I did in a day and submitted to higher authorities. Shamsur Rahman Faruqi happened to be the Member in charge. He appreciated it and asked me to send to the Committee. Later he asked me to put it up for the perusal of the then Secretary, S K Parthasarathy. He resented and wrote on the file that in oral evidence, no such matters needed to be discussed. I asked for guidance from Faruqi Sahab who smiled and said go ahead and don't worry. 

I attended the Committee deliberations twice for oral evidence, once along with my immediate boss, B K Mohanty DDG (PLI) and second time alone since he was on tour. On the second occasion, Mr Malhotra literally noted down all the points I made along with the roadmap I had put forward. He reproduced it in para 7 of the Committee report and the said report was out within a fortnight. 

When I heard the announcement in the evening on Doordarshan, I was afraid of what the Secretary might say. The next morning I reached earlier than my usual time and lo, got a call from PS to the Secretary to come down and meet him. With my legs shaking I rushed down the stairs instead of waiting for the lift. As I was ushered in, the Secretary got up from his seat, greeted and congratulated me. He had received a copy of the said report from the Secretary Telecom, who had congratulated him. I was totally surprised.

Anyway, I had worked day and night to get the scheme of RURAL POSTAL LIFE INSURANCE approved, first from the Malhotra Committee of Insurance, then from the Actuary and later from Government authorities. After some time I learnt that the PM wanted to launch the scheme himself on a particular occasion to encash it being a great and popular step and thus we had to wait. Incidentally, the scheme opened a 50,000 crore market (sum assured) for our department. 

Meanwhile, my boss, B K Mohanaty had announced through all Heads of the Circle that he was coming up with a great scheme in Rural PLI. A very cunning and scheming Officer, he wanted to take credit for this achievement himself and in the meantime got me transferred from PLI Directorate to Postal Staff College, Ghaziabad. We had kept the cyclostyled orders ready for issue which bore my signatures waiting for orders from PMO any moment. But that was not to be. It was thus left to my successor to sign the orders. All that was the contribution of my boss, who did not know even the ABC of insurance, was to talk to everyone who mattered in the department to inform them about the scheme and to remove my signatures as if I didn't exist in the scheme of things. Worse still was that Mr Mohanty, gave adverse remarks on my annual confidential report that year. I was, however, saved by the appreciation letter received earlier from Mr S C Mahalik, the then Secretary of the Department and the review of my ACR by the Counter-signing authority, the then Member, P K Bagchi. However, I must confess that such adverse remarks had no effect on me as I had got used to receiving them in the past and continued to receive them in the future as well. I am still not able to comprehend how I managed to rise to the level of Member Postal Services Board (Additional Secretary, Govt of India) before I finally retired in 2010. 

I firmly believe that BUREAUCRACY HAS ITS FUNNY SIDE TOO. 

 Lok Sabha Elections 2024-A Post mortem

The results of the Lok Sabha elections 2024, are out and have surprised many of us. The BJP party which has been ruling for the last ten years with a comfortable majority of its own was facing this election with an inherent anti-incumbency factor. However, the party put up a brave face and announced a target of 370 seats to be achieved this time (400+ for the NDA) out of 543 which was far above its achievement in the 2019 elections. Not only the party but the country was surprised at this tall order. Looking back at what its charismatic leader, Narendra Modi, had been able to achieve in the past, everyone believed that it may be a possibility. As the slogan goes, 'Modi hai to mumkin hai'. But the results proved the BJP brass wrong as they not only missed the target of 370 but also missed the majority on their own i.e. 272. 

Simultaneously with the Lok Sabha polls, the elections to Arunachal Pradesh, Sikkim, Andhra Pradesh and Orissa assemblies were also held. BJP has won a majority in Arunachal and Orissa on its own while in Andhra, its NDA partner TDP has registered a comfortable win. Sikkim was wrested by the local Sikkim Krantikari Morcha. The forming of the BJP government in two of the above states and the NDA government in another state more than compensate for the losses in parliamentary elections. 

An analysis of the gains and losses has been attempted hereunder to understand what went wrong with the strategy of the NDA this time, particularly the BJP. Out of 543 seats, NDA has been able to garner 291 (BJP:240, TDP:16, SS:7, JDU:12 & LJP:5), INDI Alliance bagged 234 seats (Cong:99, SP:37, TMC:29, DMK:22 & SS(UBT):9 while Others have got 18 seats (YSRC:4 & SAD:1 etc). NDA has a clear majority and can form government but no individual party has crossed the majority mark on its own. 

1) Total Dependence on Modi's Charisma: The BJP has been totally dependent on the charisma of Modi and most of the MPs have contributed practically nothing to popularise the schemes of the government and establish a rapport with the people in their constituency. My personal experience is that the MP ( Even the MLA) of our area was not seen even once visiting our colony. On the other hand, Modi has himself shown exemplary energy and dedication to his work and his campaigning in the election was to be seen to be believed. This time he was even interviewed by many journalists. His continuous talking to the people in 'Man Ki Baat' on AIR has been one of his great strengths where people send him their questions and he tries to answer them. 

2) Selection of Candidates: It is noticed that the selection of candidates for the Lok Sabha polls was done by the High Command centrally ignoring the ground realities and the feedback from the State CMs. Before elections, many a CM were changed fearing incumbency factor and their non-performance but some of them recorded victory on the hustings subsequently. Shivraj Singh Chouhan has won the Lok Sabha election with a record margin of over 8 lakhs. Firstly, while choosing the CMs initially proper caste, integrity and popularity factors must be taken into account so that they do not have to be replaced midway. They should be given a free hand to manage their states without rushing to the Centre for guidance.

3) The Unresolved Farmer's Agitation:  The farmer's agitation kept engaging the Central Government for more than a year and even thereafter their demands were not properly addressed. It is emphasised that farmers form a large block of voters who can make or break the governments. The fact remains that the present government passed bills in parliament without consulting them which ignited the fire and consequently the government had to withdraw the bills. However, the incident allowed the farmers in north India to press for MSP and other demands to which the government did not agree. Everybody has seen what followed besides the insult to the National flag on the Red Fort. Disagreement on the issue has been simmering in the minds of farmers in Punjab and Haryana where BJP has recorded dismal performance. The farmers of UP led by Rakesh Tikait, though comparatively less pugnacious, have shown their resentment at the Lok Sabha polls. To make things worse the present government has developed an image to be pro-capitalists rather than pro-farmers. The narrative strengthened when the opposition called Modi a friend and benefactor of Adani and Ambani. 

4) Justice Delayed: Several cases happened during the last five years where justice was not done promptly. The reason was that some kith and kin of BJP leaders were involved. Nabbing of culprits should have been done immediately on the occurrence of the incident and action taken not only to file FIRs against the accused but also to ensure the cases were taken to their logical end. The delayed action and that too under pressure from the public or social platforms has made people believe that influential people can get scot-free even if they commit heinous crimes. A fine example of such a case was the complaint of the female athletes who alleged that they were abused by their coach. This case was initially shelved and ultimately had to be followed up and is presently in the concerned court. 

5) Uttar Pradesh Dilemma: The biggest surprise was thrown by the results of UP. The matter needs to be investigated properly as to what were the factors for such a dismal performance. I have already pointed out two factors; one, disagreement between Yogi Adityanath and the Centre in the choice of candidates, and the second, the after-effects of farmer's agitation. Probably the style of functioning of Yogi Adityanath may not have gone down well with the common public as it may have installed a sense of fear in their hearts though his actions are lauded by the intellectual and honest citizens. The marginalisation of Mayawati too has played a significant role in the outcome of polls. She totally withdrew from the election scene and did not actively participate as in the past and consequently, her vote bank got transferred to the SP-Congress combine. 

6) Nonachievement of Primary Goals: It goes without doubt that the Modi government has failed to achieve some major goals like the implementation of UCC in the country. It wasted its time in sidelining the objective by passing legislation on CAA, NRC and Triple Talaq. It was possible that the government would have faced a lot of opposition on this account but it would have given confidence to the majority of Indians that the government means business rather than appeasement. Now with present dispensation, the UCC will have to go into the cold storage. 

7) The Activities of ED/CBI: It is said that one should not only be honest but he should be seen to be honest. The present government has as per them allowed these agencies to be independent which has resulted in the unearthing of so much hoarded cash and so many corruption cases. But frankly speaking what happened to the people who left the country like Mallya, Modi, Choksi etc? We hear about them from election to election and now it is ages since they have absconded. Besides, how many cases of corruption and nepotism have been registered by these institutions during the last ten years and how many people out of them have been convicted? Does the National Herald case take so much time? What happened to the cases of the Saradha Chit fund? So many politicians are behind bars without chargesheets having been finalised. Imagine when the FIRs will be filed and when the courts will decide. Why hasn't legislation been passed to dedicate some courts to such cases only and get the cases investigated and decided promptly? No, the government does not want that but uses such cases only for adverse publicity of the opposition leaders. The present government is a firm believer in attrition and not punishment.  In case the institutions are overburdened, they should only pick up cases which may have the lowest mortality rate and can be finalised soon. Unless the government shows its intent to really take to task the corrupt and dishonest, its clean image will gradually get eroded notwithstanding its claims to transparency and good governance.

Worse still is that the BJP has been crying all the time about many politicians involved in scams. The same politicians have been subsequently inducted into the party and offered lucrative posts. As a result, it is hard to believe that the government is sincere about cleaning the administrative set-up of corrupt people. The argument of the government spokesmen that the cases have not been withdrawn against such people and the law will take its own course is hard to digest by the common people. After so many years the biggest symbol of corruption, The Adarsh Building, still stands tall in Mumbai and no action has been taken against the culprits.  

8) Breaking up Opposition Parties: Of late the BJP was possessed by an evil spirit which led it to bring down opposition governments in states. In some cases, they were successful and replaced them with a better and efficient government but in most cases, such acts only brought a bad name to the party especially where the alternative government indulged in corruption and nepotism. The BJP central command could not replace their own government for fear of revolt by the CM concerned who held influence among the major castes in the state. Naturally therefore a bad precedence was created. The best example is Karnataka, the only state in the South where BJP had been ruling for a long time. In respect of Maharashtra splitting of both Shiv Sena and NCP was yet another mistake committed by the high command of BJP. Split, of course, happened but at what cost? In the recent elections, the BJP could not register as many wins as it had done in 2019. This is beside what will be in store for forthcoming assembly elections. A similar attempt was made in HP which, however, failed.

9) Price rise and Unemployment: There is no doubt that the present government has had to face severe times. Conflicts in Ukraine and Palestine have been there for more than a year. The coronavirus pandemic created havoc all across the world and affected the economies. India has been able to survive all these and maintain its growth. But people do not go by the reasons they only accept what they perceive. On the other hand, the government has emphasised avoiding overburdening of exchequer through unproductive employment and laid stress on skill development and self-employment besides expanding private employment opportunities. The people in India under the influence of socialist regimes in the past have got used to believing that employment means only regular government employment with pensionary benefits as in the olden days. Accordingly, the Opposition parties exploited the situation and created a false narrative that there is rampant unemployment and price rise in India. They even went hammer and tongs against the Indian Army Agniveer Scheme since it is a short-term engagement only. So despite the creation of private-sector employment, the people were made to believe that the government was not interested in these areas to help the poor.  

On the other hand, there is, however, a positive side of the coin too which is discussed in brief as follows:

1) Expansion of Network: The present government has not focussed on the vote-catching areas only but expanded the reach of the party to every nook and corner of the country. The party was born after the emergency, though it already had a base in the form of erstwhile Jana Sangh which had amalgamated with other parties to form the Janta Party. In the first attempt, it got only 2 seats in the Lok Sabha. The concerted efforts made initially by L K Advani and Vajpayee, the Rath Yatra and the Ram Temple episode helped it not only revive its image as a Hindutava Party but also gain an immense voter base so much so that the party was able to form a government under the able leadership of Vajpayee. Later the ten-year interregnum of Manmohan Singh as Congress PM allowed it to introspect and it bounced back under the unmatched leadership of Narendra Modi in 2014. He has been very industrious and focused on ensuring that the BJP flag is hoisted in all the states in the country. He concentrated his efforts on developing infrastructure in hitherto neglected areas of the Northeast, which yielded good results. Today the party not only rules in Assam but Tripura and Arunachal Pradesh as well. It has also made deep inroads in West Bengal and replaced CPI(M) and Congress as the main opposition party in the state. In the elections recently held for Odisha assembly the party is likely to form its own government for the first time. Gujarat, UP, Uttarakhand, Delhi, Himachal, Madhya Pradesh, Jharkhand, Rajasthan, Goa and Maharashtra have also welcomed the growth of BJP at the grassroots level. The resistance is seen in J&K and Punjab besides the southern states like AP, Telangana, Tamil Nadu, Kerala etc. Some hiccups have of late been experienced in Maharashtra. However, it is a matter of immense joy for the party to have made inroads in Andhra, Telangana and Kerala in the recently concluded elections.

2) Integration of the Country: While efforts have been made to settle differences with extremist groups in the Northeast and many of these have already joined the mainstream, even the Naxals have been either exterminated or reined in and many of them have surrendered to the army. Peace has prevailed in the region except in Manipur which saw a rise in ethnic clashes recently abetted by internal and external forces. The greatest achievement in this regard has been a reorganisation of Jammu and Kashmir State into two Union territories i.e. UT of J&K and UT of Ladakh. Article 370 of the Constitution which granted special status to the State has been removed once and for all. 

3) Infrastructural and Industrial Development: There is no doubt about the rapid strides taken by the country in infrastructural development and industrial growth. Today India has attained fifth position in the developed countries in the world. Road networks, Airports, and Railways have shown a marked improvement. Many  AIIMS, hospitals and medical colleges have been added to the existing ones. During the Covid epidemic, the country made its own vaccination and even supplied it to needy countries rather than depending on Western MNCs. Besides the government provided houses, toilets and gas connections to millions in the vast country. 

4) Harnessing of Terror activities: The present government was able to curb the terror activities within the country besides stopping the neighbouring countries from encroaching on our lands or helping the terror outfits. Incidents of terror since 2014 have been minimal as compared to previous periods.

5) International Relations: Ever since the present government has come into existence relations with foreign countries barring a few inimical neighbouring countries have improved a lot. The world listens to India now. Even during the Ukraine and Palestinian conflicts, the country has stood its ground and not come under the influence of either the USA or Russia. Many international meets were organised in the country during the period. 

The present government has done tremendous work in many areas, but I need more time to dwell upon them. Suffice it to say that now that Narendra Modi is going to be the PM of India for the third time but with a slender majority that too depending upon the NDA partners, rapid and risky steps may not be taken this time and he will have to move with caution and care. I wish him the best in his future endeavours.  

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